Four loud stones, all Aboda’s, one Glen Waverley house, and dnd studio refereeing. Rosso Trentino claims the most territory, a bookmatched feature wall mirroring its burgundy sweep floor to ceiling, with encores at the fireplace plinth, beside the stair and on a stone-fronted drawer. Infinity Gold, black granite veined in gold, gets the staircase, stepped solid beneath floating timber treads. Santa Lucia, white shot through with grey, gold and earth, takes the kitchen, the bar and its open shelves. Taj Mahal, outnumbered, keeps the quiet corner.